|
![](static/image/common/ico_lz.png)
楼主 |
发表于 2013-2-4 20:31:37
|
显示全部楼层
“Kempff made a studio Chopin recording in 1958, featuring the sonatas in B flat minor and B minor, Ballade in A flat major, Scherzo in C sharp minor, Fantasy in F minor, polonaises in E flat major Op. 22 and A flat major Op. 61, the Barcarolle, Berceuse, Nocturne in B major Op. 9 No. 3, and the four impromptus. On this record, Kempff offers a specific vision of Chopin, based on a fluent melody, lyrical emphasis, and an avoidance of dynamic and rhythmic contrasts (except for the dramatic Sonata in B flat minor). This is Chopin with an expressivity akin to Schubert and Mendelssohn. There are also recordings of the mazurkas in F minor Op. 7 No. 3 and C major Op. 56 No. 2, as well as the Concerto in F minor with the Czech Philharmonic under Karl Ančerl.“
Wojciech Bońkowski February 2007 |
|