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发表于 2012-9-7 11:50:55
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美国Stereophile杂志的主笔John Atkinson先生曾认真地写过一篇Stirling LS3/5a V2的评论,在结尾处他写道:it both lives up to the reputation of its illustrious ancestor and even, perhaps, improves on what the original LS3/5a had to offer. (这对小喇叭既没有辜负3/5a的前辈打造下的显赫名声,而且也许在原始的老3/5a的基础上更有进步。)
在具体的声音描述方面,Atkinson先生注意到,Stirling LS3/5a的中高频和老的3/5a还是有细微差别的,比如,老3/5a的人声带一点“鼻音”(nasality),而在Stirling 3/5a上,这种鼻音成分减轻了。Stirling 3/5a的高频也更为开扬一些,不象老3/5a那么有点受抑制(subdued)的感觉。
无论是新老3/5a在低频上段都有一个突起,这种特征能增强它的低频量感,造成低频比较丰富的感觉,在实际欣赏中有一定的好处。所以虽然这对小喇叭没有真正的60赫兹以下的低频,但欣赏很多音乐时,给人的感觉是低频还是有能量的,并不是完全阙如。
至于3/5a喇叭最经典的人声表现,Atkinson先生写道:Naturally recorded voices also sounded free from coloration. The CD I recently engineered of Minnesotan male-voice choir Cantus singing works about the sea (There Lies the Home, Cantus CTS-1206) features a variety of solo voices, each faithfully reproduced by the Stirlings. And the speakers' superbly stable, accurate stereo imaging allowed me to hear deep into the rich acoustic of Sioux Falls' Washington Pavilion, where I recorded the album. (自然方式录音的人声听起来毫无染色。我最近录制的明尼苏达男声合唱团演唱的关于大海的唱片包含了一系列不同的独唱声,Stirling喇叭能非常忠实地重播这些独唱,而且立体声结像稳定、精确,能让我清晰地感觉到录音现场的声学特性。) |
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