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发表于 2012-7-26 14:56:01
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直接说下去吧，这个确实有点出人意料。
艺术家是鲍里斯.克里斯多夫，曲目是穆索尔斯基的歌曲集。这张唱片应该是非常重要的一份制作，但不知为何中图和各种比较靠谱的淘宝店上都找不到，只好找同学借来听。钢琴伴奏是拉宾斯基和莫尔（怎么又是莫尔~）。
先引用几段介绍吧，等上传完了再发听感。保加利亚男低音，克利斯多夫，是在夏里亚平之後、贾洛夫之前世界上最重要的男低音。
“The magnetic quality of Christoff's singing is never in doubt here, and the compulsion of the singer's artistry as well as the vivid individuality of his bass timbres makes this a real portrait, not just a collection of items.” Penguin Guide, 2011 edition
Christoff's vocal instrument was of excellent quality with a memorably distinctive tone. While not of huge proportions, his voice had no trouble making an impact in big auditoria such as that of the Met. Owing to his matchless stage presence and strong dramatic temperament, he emerged as a worthy heir to the grand tradition of Slavonic basses as exemplified by Fyodor Stravinsky, Lev Sibiriakov, Vladimir Kastorsky, Feodor Chaliapin, Alexander Kipnis and Mark Reizen, among others. He sang mostly in Verdi and the Russian repertoire, although he also proved to be a refined performer of vocal chamber music. Among his most famous roles were those of Tsar Boris (Mussorgsky - Boris Godunov), Philip II (Verdi - Don Carlo), Mephistopheles (Gounod - Faust and Boito - Mefistofele), Ivan Susanin (Glinka - A Life for the Tsar), Zaccaria (Verdi - Nabucco), Tsar Ivan (Rimsky-Korsakov - Ivan the Terrible), Dosifei (Mussorgsky - Khovanshchina), Gomez da Silva (Verdi - Ernani), Fiesco (Verdi - Simon Boccanegra), Attila (Verdi - Attila), Padre Guardiano (Verdi - La forza del destino), Galitzky and Kontchak (Borodin - Prince Igor) and others.
Boris Christoff set modern-day standards in most roles that he sang in the opera house. He also had an enormous discography - studio recordings of eight operas (Don Carlo and Boris Godunov twice each) and numerous live recordings (radio or stage performances). He was much admired as song singer and he recorded more than 200 Russian songs by Mussorgsky (he was the first to record all his 63 songs), Tchaikovsky, Rimsky-Korsakov, Glinka, Borodin, Cui, Balakirev as well as traditional songs. Most of these songs are with piano accompaniment and are among the best of all his recordings. He initiated the tradition of making studio recordings of Boris Godunov with the same basso singing three roles (Boris, Varlaam, Pimen).
While he was a grand performer on stage, Christoff had difficult off-stage relations with fellow singers and producers, which sometimes grew into public scandals. In 1955 he fell out with Maria Callas during the performances of Medea at the Rome Opera and in 1961 his contract with La Scala was terminated after an open conflict with fellow Bulgarian Nicolai Ghiaurov whom Christoff blamed for collaborating with the Bulgarian communist regime.
[ 本帖最后由 winniemon123 于 2012-7-26 15:12 编辑 ] |
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发表于 2012-7-26 13:38:31
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变色卡
发表于 2012-7-26 14:25:21
