版主
俱乐部理事
- 积分
- 3762
- 注册时间
- 2001-11-21
  
|
发表于 2010-11-19 09:21:03
|
显示全部楼层
原帖由 jeff3610859 于 2010-11-19 09:14 发表 
前面说Stereophile通过数据说话捅破了不少“伪君子”，咱英文等级不够，看不懂Stereophile，不知道Stereophile有没有提及SOLO的数据。
Stereophile很少评测耳机放大器，所以没有评论过SOLO，但注意一下，同样出自Graham Slee之手的唱头放大器Era Gold V是获得了Stereophile的高度评价的。摘抄一段Stereophile的评价如下，评论者是杂志的主笔之一Michael Fremer。原文完整链接：http://www.stereophile.com/phonopreamps/105graham/
Given its price and its miraculous—and this agnostic means miraculous—performance, I recommend the GSP Audio Era Gold Mk.V as enthusiastically, if not more so, as I've recommended any product I've reviewed and recommended in all the years I've been doing this.（在这个价位，考虑到它的表现，我以多年来做音响评论以来最狂热的程度推荐Era Gold第5代唱头放大器。）
具体的听感：
The GSP Audio Era Gold Mk.V is about twice as expensive as the Perreaux SXV1 and the Musical Fidelity XLPSv3, but it sounded at least 10 times better. It was amazingly dynamic, quiet, full-bodied, harmonically complete, supple, sensuous, and spectacular. It had nearly full dynamic expression at both ends of the scale, and absolutely astonishing bass performance. It made music sound almost as real as the really expensive stuff does, and it carried a 1000-lb tune with ease.
（赞美Era Gold的动态、宁静程度、声音的饱满、音响完整性、柔韧度等。动态表情完整，两端延伸优异，低频表现绝对惊人。使音乐听起来和更昂贵的器材一样真实。能轻松地举起1000磅的音调。）
The midrange vocals on Janis Ian's Breaking Silence (Analogue Productions CAPP 027) were rich, detailed, and vibrant, without a trace of coloration, and there was excellent detail resolution in the high frequencies, with naturally clean but unexaggerated transients. Bass extension was forceful, clean, and tight, and dynamic range at both extremes was extended, linear, and natural.
（人声的中频丰富、细节充分、有活力，没有丝毫染色，高频的细节解析力出色。瞬态自然而干净，但不夸张。低频延伸很强力，干净，收得紧，动态范围延伸出色、线性而自然。）
On orchestral works such as Messiaen's Turangalîla Symphony (EMI UK SLS 5117), all instruments were placed with considerable detail, body, and ambience on a wide, deep soundstage. Piano reproduction was particularly impressive in terms of detail, timbre, and transient articulation. Bass-drum reproduction was deep, forceful, and dynamic, without a trace of overhang. On Dean Peer's Ucross (Jazz Planet JP 5002), Peer's electric bass was uncolored, fast, and articulate, and the lower register of his instrument shook the room.
（在表现大编制交响音乐时，所有的乐器都有很好的细节、形体和混响，音场宽而深。钢琴的重播在细节、音色和瞬态清晰方面特别引人。低音鼓下潜深，有力，动态好，没有丝毫浑浊迹象。在一张JAZZ唱片中，电倍司的声音无染色、快速、清晰。低频段的声音能使整个房间震动。）
[ 本帖最后由 小白 于 2010-11-19 09:23 编辑 ] |
-
|
发表于 2010-11-19 05:36:12
