dbsunny
发表于 2019-5-27 15:56:38
dbsunny
发表于 2019-5-27 15:57:45
dbsunny
发表于 2019-5-27 16:16:58
不是問題的問題
隨機線帶嘜的3.5頭，接3.5/6.3轉換時要很小心探索位置……
建議廠商多配一根6.3頭的長線
dbsunny
发表于 2019-5-27 16:20:05
http://www.headphoneclub.com/forum.php?mod=attachment&aid=NTc4ODQ3fDVkOGE4ZDllfDE1NTg5NDUwMTh8NTcyOTU4fDcyMTE5OA%3D%3D&noupdate=yes
以人為本，蔔佬灰常喜歡這個設計～
dbsunny
发表于 2019-5-27 17:11:08
dbsunny
发表于 2019-5-27 17:23:54
第二輪評估
曲目
Johann Sebastian Bach Concerts avec plusieurs - Café Zimmermann
Oboe d'amore Concerto In A major, BWV 1055
Violin Concerto in E major, BWV 1042
Brandenburg Concerto No.5 in D major, BWV1050
Brandenburg Concerto No.3 in G major, BWV 1048
dbsunny
发表于 2019-5-27 18:17:54
dbsunny
发表于 2019-5-27 19:27:42
放個衛星
Op.1 驅動下
蔔佬手上的一堆大耳，PRYMA最容易推，PRYMA的低頻，量感/質感也是最優~
dbsunny
发表于 2019-5-27 19:47:21
dbsunny 发表于 2019-5-27 17:23
第二輪評估
曲目
BWV 1055 - Oboe d'amore 質感強烈，強烈到甚麽程度？ F to F...
BWV 1042 - Violin 中頻飽滿，高音區稍弱……
BWV 1050 - Harpsichord 也是中頻飽滿因素，琴聲華麗，華麗到有點不敢相信……
BWV 1048 - 中頻飽滿，高音區稍弱，醬紫，變舒緩，緊湊的力量感退減，聲部層次保持明晰……
dbsunny
发表于 2019-5-27 20:21:19
dbsunny
发表于 2019-5-27 20:51:29
leekingfry 发表于 2019-5-27 09:13
pryma不是外貌协会？声音什么走向的？
請向廠商或代理經銷查詢……
dbsunny
发表于 2019-5-27 21:37:36
http://www.headphoneclub.com/forum.php?mod=attachment&aid=NTc4OTAxfGQ2NDBmNDEyfDE1NTg5NjQyMTV8NTcyOTU4fDcyMTE5OA%3D%3D&noupdate=yes
第三輪評估
Concerto for 4 Harpsichords in A minor, BWV 1065
PRYMA 的飲歌，沒有之一 ~
厲害囉~
dbsunny
发表于 2019-5-28 15:42:48
http://www.headphoneclub.com/forum.php?mod=attachment&aid=NTc4OTAwfDM1MGM0YzUwfDE1NTkwMjkzMzJ8NTcyOTU4fDcyMTE5OA%3D%3D&noupdate=yes
第四輪評估
Brandenburg Concerto No.2 in F major, BWV 1047
Recorder, Oboe d'amore, Violin 妙絕的平衡，F to F 的質感……
PRYMA為巴洛克音樂而生？
dbsunny
发表于 2019-5-28 16:05:58
dbsunny
发表于 2019-5-28 18:20:43
http://www.headphoneclub.com/forum.php?mod=attachment&aid=NTc4NjQ0fDZhNTkxMzc1fDE1NTkwMzg4MDR8NTcyOTU4fDcyMTE5OA%3D%3D&noupdate=yes
第四輪評估
Suite for Orchestra no.4 in D major, BWV 1069
The Orchestral Suite no.4 in D major BWV 1069 is the richest of the four in the instruments employed:
three trumpets, timpani, three oboes and bassoon, strings and continuo. It must have been written for an occasion that required particular splendour, and Bach took advantage of the forces available to himto score it for twelve real parts.
