034
格拉齐亚尼3首格拉齐亚尼的资料，遍寻不着，约1710年出生，1787年去世。
按生辰八字，格拉齐亚尼的序号应该排015 016，因疏忽补在此处。
035
格拉齐亚尼6首036
本帖最后由 yah 于 2016-9-10 16:22 编辑J.C.F.巴赫 1首
阿贝尔2首
宾德1首
J.C.F.巴赫简介：
https://en.wikipedia.org/wiki/Johann_Christoph_Friedrich_Bach
阿贝尔简介：
https://en.wikipedia.org/wiki/Carl_Friedrich_Abel
Christlieb Sigmund Binder 的信息，遍寻不着。
037
泰勒6首泰勒简介：
https://en.wikipedia.org/wiki/Rayner_Taylor
036 037，应该排在 023 033。
038
A.克拉夫特2首A.克拉夫特与N.克拉夫特是父子，爷俩都是大提琴演奏家和作曲家。
A.克拉夫特简介：
https://en.wikipedia.org/wiki/Antonin_Kraft
039
A.克拉夫特4首040
N.克拉夫特6首N.克拉夫特简介：
https://en.wikipedia.org/wiki/Nikolaus_Kraft
看来楼主是非常痴迷大提琴啊 一起玩 发表于 2016-9-7 14:35
看来楼主是非常痴迷大提琴啊
只能说还可以吧，俺最喜欢的是莫扎特、木管乐、芭蕾舞和歌剧。
041
泰克利尔13首泰克利尔，被认为是他那个时代最优秀的大提琴家之一，作有不少大提琴作品。
泰克利尔简介：
https://en.wikipedia.org/wiki/Jean_Balthasar_Tricklir
Jean Balthasar Tricklir (1750-1813) was born in France, of German descent, was one of the finest cellists of his day, appearing as soloist at the celebrated 'Concerts Spirituels'. Nowadays his works remain largely unknown to all but a few cellists. Here the renowned Russian cellist, Alexander Rudin, winner of the 1973 Tschaikovsky International Competition, plays four of Tricklir's once celebrated concertos, in a World Première recording, that will surely do much to bring back to the composer the public recognition he undoubtedly deserves.
以上转自：
http://www.celloclassics.com/cc1015.htm
042
J.雷哈3首大提琴家、作曲家、指挥家J.雷哈是A.雷哈的叔叔兼启蒙老师，但不如其侄子出名。
J.雷哈简介：
https://en.wikipedia.org/wiki/Josef_Reicha
043
普勒耶尔5首这2张CD，为普勒耶尔的5首大协全集。
普勒耶尔简介：
https://en.wikipedia.org/wiki/Ignaz_Pleyel
The cello concertos of Ignace Pleyel may be generally unfamiliar to many listeners outside of a cello teaching studio. These five works have been greatly overshadowed by the cello concertos of Haydn and even Boccherini. This is truly a shame; while Pleyel's works may not have the virtuosic component of the Haydn concertos (particularly the D major), they are nonetheless well written for the instrument, graceful, and charming works.
The recording heard here by Erdody Chamber Ensemble with conductor and solo cellist Peter Szabo is generally acceptable, but is not as clean and precise as it could be. The orchestra's intonation is frequently imprecise, which is inexcusable in thin-textured, early classical works such as these. The wind section is most often the culprit of these problems, but the pitch of the upper strings also falls flat in the higher registers. This does not provide the most stable or pleasing background for the soloist. On the whole, Szabo's playing is graceful, clean, and usually nicely in tune. However, there are several startling and distracting moments when his fingers hit the fingerboard with such force as to create loud "thumps" in the middle of a line.
以上转自：
http://www.allmusic.com/album/ignace-pleyel-the-cello-concertos-complete-mw0001836502
044
宗施得克1首宗施得克曾演奏过大提琴，作有10首大协。
宗施得克简介：
https://en.wikipedia.org/wiki/Johann_Rudolf_Zumsteeg
Johann Rudolf Zumsteeg was born in Stuttgart and spent his whole life there. Even geographically his work stands as a middle point between that of the Berlin school and Schubert. He attended the Carlsschule, the military academy founded by the notoriously dictatorial Duke Carl Eugen of Württemberg. The poet Friedrich Schiller knew Zumsteeg from the age of ten, and the two artists remained in close contact—a friendship sealed by the shared adversity of their miserable student years. Zumsteeg, a cellist by training (he wrote ten cello concertos), provided the first incidental music for Schiller’s Die Rauber in 1782; after this he gradually turned his attentions to song. He was music master at the Carlsschule between 1785 and 1794, although towards the end of this time he ascended to the post of Konzertmeister in charge of court music. As a result there was a great revival of Mozart’s operas in Stuttgart and Zumsteeg himself had moderate success as an opera-composer. Goethe met Zumsteeg once in Stuttgart, and Schiller persuaded the poet to mount a performance of one of Zumsteeg’s operas in Weimar for the benefit of the composer’s widow after her husband, still a young man, had died of a heart attack. A great deal of his music remains unprinted. Like Reichardt, Zumsteeg had a daughter, Emilie (1796–1857), who became a song-composer of note.
以上转自：
http://www.hyperion-records.co.uk/c.asp?c=C1228
045
但济2首但济是管乐作品的大家，但也作有2首大协、6首中提琴与大提琴二重奏。
但济简介：
https://en.wikipedia.org/wiki/Franz_Danzi
