我怎么觉得今年才开头就死了好多人？
我也来预报一个.
估计马泽尔也快了....他马上要来上海指挥春之祭...大家快去看.
Masur,Mazzel,Harnoncourt,Haitink,Abbado,Seiji Ozawa什么的，基本上听一场少一场了。
原帖由 ramos 于 2013-4-15 15:45 发表 http://bbs.headphoneclub.com/images/common/back.gif
我怎么觉得今年才开头就死了好多人？
我觉得是从去年9.10月份就开始扎堆去了....
默哀。。。
去年和今年去世的音乐家太多了，贝尔格伦德、安德烈、魏森伯格等等。
原帖由 迷你音响 于 2013-4-15 17:01 发表 http://bbs.headphoneclub.com/images/common/back.gif
默哀。。。
去年和今年去世的音乐家太多了，贝尔格伦德、安德烈、魏森伯格等等。
有种时代帷幕缓缓拉下的感觉
原帖由 逆流光子 于 2013-4-15 18:59 发表 http://bbs.headphoneclub.com/images/common/back.gif
有种时代帷幕缓缓拉下的感觉 早就开始了，从卡拉扬去世宣告了20世纪演绎巅峰朝代的终结开始，现在剩下的顶级指挥屈指可数啦，而且不少身体抱恙。
Sir Colin Davis, 1927-2013
It is with extreme sadness that I heard of the death of Sir Colin Davis last night at the age of 85. He held positions with several orchestras and opera houses, including the BBC Symphony Orchestra, the Royal Opera House, and the Staatskapelle Dresden, but for me and I’m sure for many others, the most notable of his associations was with the London Symphony Orchestra. Davis first conducted the LSO in 1959, and ended up being their longest-serving principal conductor (from 1995-2006). Any attempt by me to sum up his distinguished conducting career will inevitably seem trite and incomplete, so I thought I would pick some highlights that have meant a lot to me over the years.
It’s rather hard to know where to start, as there are so many treasures. Of course, he was well-known as an ardent champion of Berlioz, Sibelius, and Tippett, and he made many exceptional recordings of the music of all three. He recorded extensively for LSO Live; indeed the label’s first releases were his performances of Dvořák’s Eighth and Ninth Symphonies, and they remain amongst the finest accounts (his recording of Symphony No. 8 was first choice in BBC Radio 3’s Building a Library back in 2011).
His range of recordings was impressive indeed, from Handel to James MacMillan, and even in his later years he was still adding new works to his repertoire, such as the symphonies of Carl Nielsen. What impressed me above all was his attention to detail: he often brought out tiny little touches in the score that passed most others by, or did something just a little bit differently to everyone else, making it seem as if I were hearing the piece for the very first time. I think of him as an extremely fine Elgarian, for example, and although he was sometimes criticised for the occasional slow tempo (such as the opening of the First Symphony, or the closing “Softly and Gently, Dearly-Ransomed Soul” from The Dream of Gerontius), his masterly sense of phrasing meant that even such measured speeds never dragged or felt plodding.
In my opinion, though, perhaps his most magnificent recording is a simply stunning disc of William Walton’s First Symphony. I didn’t know the piece beforehand, and when I heard it I was knocked back in amazement, both by the work itself but also Davis’s account of it. The cover image for the recording is an erupting volcano, and I can't think of a more appropriate picture: with terrific playing from the LSO, this is a searing, volatile recording of such passion that it immediately catapulted the symphony to the top of my list of favourite pieces.
Davis was equally at home in the opera house. I revere his recording of Mozart’s Così fan tutte with Dame Janet Baker and Montserrat Caballé, in which he made the music sparkle from start to finish. I also don't think I've ever heard more truly joyous performances than his accounts of Verdi's Falstaff (again on LSO Live), and Humperdinck’s Hänsel und Gretel with Ann Murray and Edita Gruberová in the title roles. Berlioz looms large here, with outstanding recent recordings of Les Troyens, Benvenuto Cellini, and Béatrice et Bénédict. I’m looking forward immensely to hearing his live recording of Weber's Der Freischütz, recorded last year and due out later this month. I wasn’t at the concert, but I have no doubt that the recording will display his usual combination of insight, thrilling drama and astonishing musicality, the mark of everything he conducted.
As a final note, I hope I will be allowed the indulgence of a personal recollection: I never met him, but I did correspond with him once several years ago after he had conducted a particularly mesmerising performance of Beethoven’s Ninth Symphony with the LSO at the BBC Proms. I wrote to him afterwards to say how extraordinary I thought the concert had been. Having no address for him, I merely sent it to him care of the Barbican, and therefore never expected it would even reach him, but I was amazed and touched to receive, a few weeks later, a hand-written reply, thanking me for my letter and saying how gratified he was that “something had got across”. Not only a superlative musician, then, but a gentleman: he shall be greatly missed.
从Presto搬点资料来, 缅怀大师
原帖由 standalone 于 2013-4-15 16:54 发表 http://bbs.headphoneclub.com/images/common/back.gif
Masur,Mazzel,Harnoncourt,Haitink,Abbado,Seiji Ozawa什么的，基本上听一场少一场了。 我打赌小泽活得最长
原帖由 红先生 于 2013-4-15 20:35 发表 http://bbs.headphoneclub.com/images/common/back.gif我打赌小泽活得最长 小泽最近出来了一次，我看已经憔悴得很厉害了
[ 本帖最后由 sonple 于 2013-4-15 21:13 编辑 ]
原帖由 standalone 于 2013-4-15 16:54 发表 http://bbs.headphoneclub.com/images/common/back.gif
Masur,Mazzel,Harnoncourt,Haitink,Abbado,Seiji Ozawa什么的，基本上听一场少一场了。
还有 Levine 。。。
这些人真不好说哪天就没了，能听的抓紧听
唉。。有很多曲目真的是听着他的演绎确立的参考。。
原帖由 阿鲁卡多 于 2013-4-16 07:26 发表 http://bbs.headphoneclub.com/images/common/back.gif还有 Levine 。。。这些人真不好说哪天就没了，能听的抓紧听 莱文2013年才满70，应该还有不少年好活。
很怀念他的德沃夏克第九交响曲，哀悼！
